![]() ![]() Image: Woody De Othello, Freeflow, 2021 ceramic and glaze. ![]() John Michael Kohler Arts Center is open Tuesday, Wednesday, and Friday from 10am-5pm, Saturday and Sunday from 10am-4pm, and Thursday from 10am-8pm. Woody De Othello is a young, Miami-born sculptor based in Oakland, CA, who has become known for comically surreal ceramics of. Some of the vessels will emanate sound from within, as if imbued with a spirit. Made in response to the work in the exhibition, the ambient composition is designed to subtly guide the viewer through the space, creating an immersive environment. In addition, many of his new works feature both ears and mouths, offering meditations on listening, hearing, and being present.Ī new sound piece by Oakland, California musician Cheflee will accompany Othello’s sculptures. Woody De Othello De Othello, Woody, Dickens, Lauren Schell, Gooden, Mario, Swallow, Ricky on. These concepts, and the power to deprive people of their breath and their ability to breathe, are now more highly charged. No Way Up, the most damning work in To live in hope, consisted of a ladder with almost all of its rungs missing and a coffee cup left behind on the bottom step, as if gulped down during a daring, albeit doomed attempt at escape. We visited Woody in his Oakland studio, where he talked to us. The separation of these pieces ended Woody De Othello’s narrative with a sense of release and freedom. Breath and breathing are ideas often expressed in Othello’s vessel-like forms covered in mouths. On February 23rd, Friends of RxART joined Woody De Othello for a special Virtual Studio Visit. His objects usually look to be in the process of melting, sprouting cartoon limbs, or both. Othello draws on African Nkisii, or objects that are believed to be invested with spiritual protection and energy. Woody De Othello is a young, Miami-born sculptor based in Oakland, CA, who has become known for comically surreal ceramics of oversized household objects such as telephones, vents, and clocksd. The residency was cut short by several weeks and forced Othello to bring home some of the molds to continue his work. His large-scale, colourful sculptures of distorted appliances are. While he was in residence, the world outside the factory began to shift with the beginning of the pandemic. American artist Woody de Othellos practice spans sculpture, painting, and printmaking. Many of the sculptures were produced using molds that Othello created during his Arts/Industry Pottery residency at the Kohler Co. ![]() For Hope Omens, he will present an entirely new body of work. ‘Looking In’, Othello’s latest outing at Jessica Silverman in San Francisco, is as ludic and funky as his past exhibitions while further investigating elasticity and mutability in everyday forms. WOODY DE OTHELLO PLUS"A form of contemporary nkisi, Othello's vessels and misshapen objects seem to react to and hold the energies of the space they inhabit," writes Lauren Dickens, "suggesting the power of pressures endured but not seen." This comprehensive, fully illustrated volume explores Othello's ceramic works from 2016 through 2020, and includes three new essays by Lauren Dickens, Mario Gooden and Ricky Swallow.Oakland ceramicist Woody De Othello is best known for his large-scale anthropomorphic figures, which are often humorous portrayals of domestic objects. During the COVID-19 lockdown, Bay Area-based artist Woody De Othello created work that celebrates life, time and interiority. The Library has records for 1 of this artists projects, plus 2 group exhibitions including this artist and 1 project curated by them. Like the Vodou vessels, nkisi figures and other animist artifacts that inspire him, Othello's ceramic characters come alive. Informed by his own Haitian ancestry, Othello takes interest in the supernatural objects of Vodou folklore. An ultramarine telephone seems to morph and tremble, ready to speak its secrets into someone’s ear. An impossibly large, bright yellow box fan sags under its ridiculous weightor perhaps it contracts itself so that it can blow more air into a room. Othello's scaled-up representations of these objects often slump over, overcome with gravity, as if exhausted by their own use. Woody De Othello’s ceramics hover somewhere between animate and inanimate. In the sculptures of Berkeley-based artist Woody De Othello (born 1991), everyday domestic artifacts-tables, chairs, television remotes, telephone receivers, lamps, air purifiers-are anthropomorphized in glazed ceramic, bronze, wood and glass. The woozy domesticity of Woody De Othello: sculpture as ordinary objects succumbing to gravity ![]()
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